SAGE MOLOTOV, DJ + VJ + AI Artist:
Dance Music’s Most Dangerous Triple Threat

Sage Molotov is an Audio-Visual fusion artist, masterfully intertwining her roles as a DJ, VJ, and innovative content creator of bespoke immersive visuals. With deep roots in house and techno, her musical selections carry the weight of experience, seamlessly traversing all corners of a genre-transcending set.

As one of the earliest female DJs to play and headline large scale venues in South Beach, Miami in the mid 1990’s, her dedication and perseverance laid the foundation for many female artists who followed.

But Sage is not just about the music. Her VJ talents bring a visual dimension to her sets, creating an immersive landscape that’s both compelling and harmonious.

In 2011, Sage relocated to Los Angeles where she reinvented herself as the west coast’s most in demand VJ, performing live visuals at her residencies at legendary Avalon Hollywood, LIGHT LV and Marquee Las Vegas Poolside.

Now a seasoned DJ + VJ and Content creator, Sage has once again leveled up her unique talents as a 1-of-a-kind Audio-Visual Performing Artist, the likes of which the world has never seen.

As a content creator, Sage harnesses both traditional digital arts and media while leveraging AI tools to elevate her visual storytelling. The result? An immersive experience that defies genres and expectations.

Tapping into the power of AI, she crafts visuals that aren’t just complementary but tell a story of their own. The result is an experience that’s more than just a set—it’s a journey. Through sound and sight, she takes her audience on an immersive trip, redefining the boundaries of what’s possible in live performance. Her unwavering dedication to this emerging art form has established her not only as a talent but as an inspiration for a new generation of artists.

A master of her craft, a one-of-a-kind artist and entertainer, Sage Molotov remains dedicated to the art that is unmistakably hers, crafting unforgettable experiences through immersive storytelling.